Friday, February 26, 2016

Week 6 Storytelling

(sun photo, by Simon)

Author's Note: I'll come back and edit this later, but basically this story is based off of the story of Anansi and Nothing. Anansi meets Nothing, a rich man, on the road one day and they go off to town to find a wife. Shenanigans ensue. I really will come back and edit this, but I wanted to get it posted....

Source:  West African Folktales by William H. Barker and Cecilia Sinclair, with drawings by Cecilia Sinclair (1917).

In the late morning, during the second month of my stay in Ghana, I knocked on the door of the woman Abena, whom I had met only the night before. The morning was clear and cool, and a breeze ruffled my skirt as I stood there on the threshold, only my racing heart betraying my impatience. Behind me, the city rumbled and screeched along its daily path through the streets.
She answered the door with a child on her hip and worry in the lines of her face. “Oh!” she said. “The anthropologist. I did not expect you this morning. Maybe tomorrow morning?”
My hopes sank. “Tomorrow” often meant “some indefinite time in the future”, and I only had a few more weeks before I needed to start writing my report. I could feel the hole lurking in my argument as I spoke. I’d attempted to chase down several of the people who told me “tomorrow” before, and they kept pushing me off. I’d sworn that I wouldn’t be pushed off today. “Of course I could come back tomorrow,” I said. “But if even if you only have a few minutes, I would be happy to hear what you have time to tell me.
Another child came to her side. “My friend,” she said, again “perhaps now is not the best time?”
I took a deep breath. My heart was racing very, very fast—I didn’t want to mess this up, but I’d been trying to get somebody to tell me this story for a month now—to no avail. [] Had seemed perfectly willing to tell me last night. What had changed her mind? “Of course,” I heard myself saying, like I had so many times before. “I’ll come back tomorrow. I—“
Right at that moment, something crashed in the street behind me. A man had knocked over the trash can that stood by the road as he walked by. When I turned back to look at Abena, the lines in her face had deepened—not with worry, but with something I could only describe as annoyance. She looked at me, and then back at the man, who hadn’t even stopped to pick up the trash can but who was making his way down the street with his shoulders thrown back. She shifted the child on her hip.
“My friend,” she said, “you said you wished to hear a story. Please come in, and I will tell you one.”

When we had settled down at the worn table in the kitchen, the dim light from the window washing the wood and the cup of tea she had made for me gold and silver, she took a deep breath. “You said you wished to hear a story,” she said. “I cannot tell you the one you asked for, but I will tell you one about a man who was unkind to his wife, and how it fared for him.
“But—“ I said.
She cut me off. “My friend, listen to me. I will tell you this story, or you can go and ask someone else for the one you keep asking for. Will you listen to mine? Or will you leave now?”
I shoved down my impatience. Nobody ever got anywhere, in fieldwork, by being impatient. “I’m sorry,” I said. “I’m listening. Please tell your story.”
For a moment, there was silence while she stared at the table and stirred her tea. I thought she wasn’t going to say anything. Then, slowly, she began her tale. “This is the story about a man who was unkind to his wife,” she repeated, “and another man, named Nothing, who was kind to his. It goes like this: one day, a businessman who was down on his luck met another businessman—his neighbor—on the road to the city. The first businessman was poor, so he wore ragged clothes, while his neighbor wore very fine ones, but they got to talking and found that they were both going to the city to look for a wife. They decided to go together.”
Somewhere in the house, something banged and a child shrieked. Abena glanced worriedly towards the door, but relaxed when she heard the glee in the child’s voice.
I shifted in my chair. “What happened then?” I asked.
“The poor businessman tricked the rich businessman into trading clothes with him. He said that he wanted to feel rich for a day—and of course, being rich, the other businessman understood. But the poor businessman tricked the rich one, and didn’t give his clothes back before they reached the town. When the got to the square where all the girls were, the girls only interested in the poor businessman. They didn’t know he was poor, because of his clothes.
“The rich businessman was named Nothing. He didn’t get any attention, because he was wearing the ragged clothes. Only one girl wanted to speak with him, but she was the most beautiful of them all, and the most kind. The rest of them had no use for him.
“The poor businessman negotiated a marriage with the kindest girl’s best friend, who was the second most beautiful of all the girls in the square. He kept the rich businessman’s clothes, so that she had no idea he had no money, or that he was a trickster, before the wedding. So she married him.”

She stopped, and gazed steadily at me for a few moments. “You should not be tricked by poor businessman in rich clothes,” she said, finally. “That is my story, my friend.”

Wednesday, February 24, 2016

Week 6 Reading Diary: West African Folk Tales, Part 2

(Sun photo, by Simon)

There were so many wonderful stories in this section that I would feel really conflicted about which to write about, if one hadn't made me so excited when I was reading it that I ended up leaving my lunch on the stove for too long, and burning my food! That story was The Moon and Stars, and I'll talk about it a bit here, but I also want to talk about some other options I've been thinking about for this week's storytelling assignment this week, too...so, without further ado:

Why Tigers Never Attack Men Unless They Are Provoked: I really loved this story, from the tenuous beginnings of friendship to when the man falls down weeping over the tiger's imitated death. I have a weakness for stories about unusual friendship, and I feel like this story could actually be imitated through an anthropologist's field notes--but as a real-life scenario, maybe, as an unusual friendship between two humans who mimic the man's and the tiger's personas? Since, as is stated in the notes, there aren't actually any tigers in Africa...

The Ungrateful Man: once again, a story that I really enjoyed. It would also translate well into a field note/real life story, I think, as an allegory about humans and humanity and kindness vs. betrayal. It has the potential for some cool imagery, too, and maybe a colorful cast of characters...since I still haven't ended up writing any stories with larger casts...

The Moon and Stars: Like I said, I burned my lunch while reading this story! The style of narration really made me care about the characters and what happened to them--plus there was a dragon, and a fiddle, and a castle--basically, this story pushed all of the right buttons for me. It's also an Anansi tale, which means that it would be good practice for writing the later Anansi tales to come. I'm less sure about how it could translate into an anthropologist's field notes, but I'll think on that--I don't have time to write the story until tomorrow, but I'll let all these ideas stew in the back of my head until then....

Source: West African Folk Tales, by William H. Barker and Cecelia Sinclair, with illustrations by Cecelia Sinclair (1917).

Monday, February 22, 2016

Week 6 Reading Diary: West African Folktales

("Dew on a Spider's Web in the Morning, by Luc Viatour, via Wikipedia)

I picked this section this week because I'll be using the Jamaican Anansi folktales for my Storybook and I wanted to start feeling out what I want to actually do for the Storybook (because I'm still very much undecided on that front!). There were lots of interesting stories, and I think what I'll try to do is tell my story this week from the point of view of an anthropologist (see: me). I've actually read several ethnographies on various regions within West Africa, so we'll see how this goes...

As for the parts that really caught my eye this week:

How We Got the Name Spider Tales: origin stories are some of my favorites, and there are so many in this unit that I'll have a whole spectrum to choose from, but this one is really interesting because it's like the origin story or origin stories, and that kind of nested form would be really interesting to play with in a story. I was actually thinking about combining this story with How Wisdom Became the Property of the Human Race, because I felt that the Wisdom story would act as a nice coda/tie-in piece to the Spider Tales story. I don't really know how I would do this--I haven't had enough time to ponder it--but there's definitely a connection there in my head, so I'll roll with it...

Anansi and Nothing: I feel like this story would be really interesting to tell more from Anansi's wives' point of view (I actually thought that it would be really interesting to have a woman tell this story to an anthropologist in response to a question about either her marriage or the folk tales of the area, as a way to both say that her husband was either wonderful or a real jerk). It might be interesting to juxtapose the way that real life often echoes folklore, and I think that would be a really cool way to do it. There would also be a lot of opportunity to talk about other real-life details, which is also a cool way to mirror the events in the folk tale and tie everything together, I think!

Source: West African Folktales by William H. Barker and Cecilia Sinclair, with drawings by Cecilia Sinclair (1917).

Sunday, February 21, 2016

Thoughts on Comments

I like all the comments I get--no really; I mean every single one, because that means that someone didn't end up reading my posts and saying, "No way--you couldn't even get me to comment on that one for credit!" and clicking away from the page immediately. I'm not saying this is a rational kind of fear, but sometimes it's one I have! Even though everyone's been really nice so far. But if I had to say which ones are the most memorable, I'd have to say that: 1) the ones on my introduction post that tell me about classes that people have taken/experiences that people have had with anthropology are some of my favorites, because I'm seriously crazy about my major (I'm not sure if you could tell; I kind of mention it every few sentences) and I love hearing about what other people know about it, because it's not always a field that's in the limelight, as well as: 2) the ones on my story posts that tell me that the story made them feel or think a certain way, because that lets me know that I got at least close to where I was going when I was writing!

As for my own comments, I think I could do better about asking questions and relating to people more (by telling them that I do this or that that's connected with what they're doing, etc.)--these are actually things I struggle in real life conversation with too, so it's kind of funny to see them reflected in my online conversations as well...

Tuesday, February 16, 2016

Week 5 Reading Diary: Folklore of the Holy Land, Part 1

(Islamic Adam and Eve, by Manafi al-Hayawan, via Wikipedia)


Some parts that struck me as possible story potential from this week's readings:

The Disagreement between Adam and El-Karineh: this story has actually always fascinated me, but I found this version really interesting because of the way that El-Karineh explains why she won't submit to Adam's wishes: she says that, because she was formed from Adam's body after Adam himself was formed, that they are both made "of the same dust". This would be a really interesting dynamic to play on, I think, and it might even make a good contemporary story. I can see El-Karineh translating really well into modern times, and modern women identifying quite a bit with her.

The Tower of Babel: being a linguistics-lover, I think this story would be really fun to write--especially with a larger cast of characters. I don't really ever write stories with large casts, so that might be fun to try! This is also a fairly dramatic story, with lots of potential for description...I could focus in on one particular part of the story, or try to broaden my viewpoint. This story might actually be a cool one to try and write in third person, which is also something that I don't do often because I'm way more comfortable in the closeness of first person.

The Story of Habrun and Ibrahim: the parallels between this story and the story of how Dido won her kingdom in the Aeneid are crazy! The king might be a good point-of-view to tell this story from, or even some other person who watches Ibrahim's trickery go down. It would be interesting to see what the rest of Habrun's kingdom thinks of Habrun, too, especially after he cuts off all those people's heads. A cool thing that I noted in the story: the hill that the forty witnesses are executed on is called "Deyr el Arba'in", which translates to "Hill of the Forty" in English...

Source: J. E. Hanauer (1907). Folklore of the Holy Land.

Sunday, February 14, 2016

Storybook Website Link: Anansi Spider Tales

Here is the new site!

Jamaican Spider Tales: Styles Brainstorm

(Dew on a spider's web in the morning, by Luc Viatour, via Wikipedia)
Topic: My Storybook will be about the Anansi Spider Tales from Jamaica. I'm actually really excited about this project, because I'll hopefully be able to tie it in with the research paper that I'm going to need to write for my Anthropology of Captivity and Slavery class, which is going to be about the way that slaves on plantations in Jamaica used the folk history they brought with them from Africa as a resistance method against their owners and their general situations: Anansi spider was their folk hero, because he was a trickster that used his status along with his own cunning to set those that had more power and status on their heads. There's really a lot of information out there on this topic--several books and articles that I've found, and many, many tales--so I'll have lots of potential material to use for research, stories, framework ideas, styles, etc. From what I've already researched, I think that it would be a good idea to use a framework tale--and since two of the most-mentioned stories in my research so far have been this one and this one, those will probably be two of the stories that I'll use.

Bibliography:
1) Martha Warren Beckwith (1924). Jamaica Anansi Stories.
2) Anansi on Wikipedia
3) Emily Zobel Marshall (2009). "Anansi Tactics in Plantation Jamaica: Matthew Lewis's Record of Trickery" in Wadabagei: A Journal of the Caribbean and Its Diaspora.
4) Martha Warren Beckwith on Wikipedia

Possible Styles:

Bedtime/Moral Story/Wisdom Tale: It's possible that I could tie all of these stories together by having an older slave tell them to a younger person--possibly in the context of bedtime, or seeing an injustice done, or something like that. Since these tales were a form of resistance, I think that this would be a really powerful way to link the stories with the frame tale. This would be kind of an ethically problematic method, though, because without doing an incredible amount of research and/or knowing someone who is Jamaican and African-American and who could provide me with feedback and tell me whether I was doing it right, it would just be me and my cultural appropriation skills hanging out with each other while I was writing, and the ghost of my Visual Anthropology teacher in my head saying, "You really don't have any business doing this. You need to take more social theory classes..."

Wisdom Tale II: Another possible idea is to have Anansi spider tell these tales himself to someone either in the present day or in plantation-era Jamaica. Since he's a trickster character, it's possible that he could remain in disguise until the very end, when both the reader and the one he was telling tales to finds out that he's actually the hero of all the stories he's been telling. Once again, though, this is going to be very ethically problematic, unless he's telling them to a person of my ethnic background.

Animal Tale/Museum Tale/Wisdom Tale III: Another idea I had was to have the storytelling take place in a museum (a museum with bugs? They have those, right?), where a child is looking at the spiders exhibit and either Anansi in disguise of the spiders themselves tell the child the Anansi stories. This actually sounds really creepy, now that I think about it, but it's a kind of cool idea--although, once again, very ethically problematic under some circumstances.

Anthropological Research: This is actually my favorite of all of the ideas, as it incorporates a method calling "objectifying your objectification" into the framework and gives me a lot more leeway in how I tell my stories in terms of choosing characters and such. The framework is this: an anthropologist (possibly the one who wrote a book that I'm using for research for this project, Martha Warren Beckwith, who trained under Franz Boas in the new school of anthropology in the early 1900s) goes to conduct field school in Jamaica, and listens to the tales being told to her by some Jamaican elders. The website could be themed as her fieldnotes, where she writes down all the stories she's been told as well as she can. This way I keep the context of the sources I'm using within the story, and I acknowledge the ethically problematic subject matter in a way that makes it much easier for me to stomach writing all of these stories. This style has some really interesting implications for commenting on Boasian anthropology in general, which is what I have taken enough social theory to be able to accomplish in a somewhat-satisfying way.