Showing posts with label Week 14. Show all posts
Showing posts with label Week 14. Show all posts

Saturday, April 30, 2016

Week 14 Reading Diary: Italian Popular Tales, Extra Credit

(The cover of the book via the Untextbook)

I decided to finish the unit that I started earlier this week instead of starting a new one, because I really enjoyed the stories in the last half! This half actually had a lot more stories with animals in them, and they all (or most of them, at least) seemed to be stories about little things that get passed from person to person and then at the end they've become a huge thing and gotten out of hand--until the narrator makes a wry comment, and makes the whole thing seem absurd! This actually occurred to me to be a really good metaphor for the perils of gossip, and that's probably what I would write about if I were writing any more stories this week...but instead I'll just talk about some of the other stories that weren't like the ones I described, because those were pretty good too...

The Language of Animals: I can actually sympathize a lot with the main character from this one, because he goes through 10 years of school far away (although at the end of it his teachers say they don't have any more to teach him, and I doubt that would ever happen for me!) only to go back to his family and find out that the stuff he's learned isn't, in a lot of cases, appreciated. Most people don't appreciate me yammering at them about what I've learned during the semester, or whatever, so a lot of the time what I've learned goes unsaid until someone needs an answer for things, and then I can't help myself and I shout out the answer! So basically what I'm saying is that I would make this story into a modern-day college/grad student story, because I think that would both be very amusing, in a slightly terrifying and true way.

An Incident in Rome: this is what happens when you go underground in Rome! Just kidding, kind of...actually, what I would probably do is set this story in an underground in Rome. Why do I like modern retellings so much? I guess I'll never know...anyway, this story had some potential for both the comic (I read somewhere that having two people who are both really set on their dialectically-opposed goals is one of the best recipes for comedy, and I agree) and the tragic (reading forever is probably hard on your eyes, and being the person that sentenced Jesus to be crucified probably is not the easiest thing, especially when you're being eternally punished for it)....

Source: Italian Popular Tales by Thomas Frederick Crane (1885). Untextbook.

Growth Mindset: Memes!

(Meme is from the Growth Mindset blog)
As Professor Gibbs says, this saying is actually part of a larger quote that's worth reading (sourced from here):

The good life is lived best by those with gardens — a truth that was already a gnarled old vine in ancient Rome, but a sturdy one that still bears fruit. I don’t mean one must garden qua garden… I mean rather the moral equivalent of a garden — the virtual garden. I posit that life is better when you possess a sustaining practice that holds your desire, demands your attention, and requires effort; a plot of ground that gratifies the wish to labor and create — and, by so doing, to rule over an imagined world of your own.

It hasn't been an easy past week at all for me, and this weekend has been just as challenging. This quote reminded me that it's entirely up to me what I choose to focus on and where I put my time and energy--you really do have to "live in your own little world" sometimes in order to not let life get to you...remembering this isn't the easiest, though!

Tech Tip: Soundcloud Embedded


Here's the link to learn how to embed Soundcloud in a blog post...it's fun, if you need some extra credit points...

Friday, April 29, 2016

Learning Challenge: Killing Boredom with Procrastination

(A funny image about citations, via Flickr)

This is the article I'm referencing in this post (it's a beautiful article. If you're wondering whether you should read it, you should!)

So the title of this article is "Two for One Deal: Killing Boredom with Procrastination." I read that phrase and got really intrigued, because the kind of boredom that I  think of when I think of things I want to procrastinate on are not actually boring. But it turns out that there's lots of kinds of boredom, and the one this article is referencing is apathetic boredom--or a feeling of helplessness and depression in the face of a large, scary task.

This article is beautiful because, now that I think about it, that feeling actually is boredom. And it's conquerable, through the stress management techniques that are laid out in the article before. I've been conquering this kind of boredom all along, when I've been cleaning the apartment instead of writing that essay I was supposed to start writing yesterday.

Except when I've run out of time, and there's no time to procrastinate.

So I guess the answer is to start things earlier, so that I have time to procrastinate in the right way? Do I think that would help? Probably, yeah...especially this coming Dead Week...I have a huge paper due on Wednesday that I've been putting off writing, but what I'll do tomorrow morning is do up the citations and organize my notes.

And then I'll write. And it'll be great...yeah...

Week 14 Storytelling: The Face of Truth

(Italian Greyhound, via Wikipedia)



Author's Note: I'm putting this one at the beginning because this is going to seem like a really weird story to anyone who hasn't read the original story. This Storytelling isn't my best, but basically it zones in on a particular part of the Italian fairy tale The Fair Angiola, which is a story very similar the story of Rapunzel, where the daughter (Angiola) of a woman forced into a contract with a witch after taking some produce from the witch's garden is taken by the witch one she turns a certain age. In this version, however, when the prince comes to rescue Angiola from her confinement in the witch's tower the witch chases after them, and just as they are about to lose her she puts a curse on Angiola that she will now and forever have a dog's face. Of course, the witch's little dog followed Angiola because he loves her, and eventually when he and Angiola have been living in a cabin in the forest for some time, with the prince visiting occasionally but unable to marry Angiola because of her cosmetic issues, he goes back to the witch and asks her to lift the curse. The witch, having calmed down some, gives the dog a vial of water to lift the curse, and Angiola and the prince and the dog live happily ever after.

I thought that the idea of having the face of a dog was really intriguing. I was waaaaaaaay to tired this go-around to go into the depth of sensory detail that I would have liked to in this story, but I know that dogs have things like only being able to see in blue and yellow and seeing in the dark and a really sharp nose that would really freak a human out if they suddenly developed those traits and lost their human ones...but anyway, here's the story...

***



All Angiola could ever smell was the scent of the witch’s magic.

Her nose was stronger now, of course, than it had been before. It was one of the few perks of having one’s face turned into a dog’s that she could think of. There weren’t that many others: her world had turned all blue and yellow, and her peripheral vision had turned uncanny while looking forwards was nearly impossible (especially with her nose in the way). She also tended to pant a lot, as it was summer and the weather had turned very, very warm. Panting was not a particularly attractive pastime, and she did so hope that Duccio would not hold that image of her in his head for the rest of their married lives—if he did, in fact, ever end up marrying her.

No, she did not particularly enjoy having the face of a dog.

She left the cabin less and less as time went on. There really wasn’t any point to leaving, as seeing the outside world just reminded her in a thousand-fold ways that the witch had cursed her. She couldn’t see the green of the leaves on the trees, or take a breath without all the smells of the forest overwhelming her. Thankfully, she never got any urges to chase the various small animals that crossed her path, but even that small favor seemed insignificant in the larger breadth of her problems.

The witch hated her. So did Duccio’s parents, and they’d never even met her—they only knew that she was a peasant girl with a face like a dog’s, and therefore entirely unsuitable to marry their son the prince of the kingdom. Maybe even Duccio hated her. Hadn’t his visits become shorter and farther apart, lately?

Really, the only thing that made her life bearable was Poalo.

Poalo was a small ball of energy. She knew, theoretically, that he was quite old, but she supposed that being a witch’s dog might give you a longer life span than most. He liked to fetch, and to roll in the dirt, and to be scratched at just that point behind his ear. But, most of all, he liked to talk, and his barks and whines and growls were the only noises she could manage to create with her new snout-mouth.

She missed talking the most, she thought. Her conversations with Poalo were what kept her sane, when all she could manage to convey to Duccio was a faint sense of frustration and anxiety, translated through soulful gazes where his eyes were the wrong color and she always ended up making desperate sounds deep in her throat. Being a witch’s dog, Poalo had not only lived quite a long time but had also had quite a few adventures that he was more than happy to tell her about. He had once, he told her, been turned into a squirrel by the witch when she wanted him to spy on another witch in the next kingdom. Before, he had been quite a large dog. Now, he was only about as long as Angiola’s forearm and barely reached about her anklebone when they both stood side by side.

It had been an adjustment, he’d told her, but he’d managed. As she would eventually adjust to her new face. He’d licked her nose, then, then settled down between her and the fire in a boneless heap, nose tucked underneath his tail.

Yes, Poalo was the only reason for her continued sanity.

One day, as they were both sitting in silence for once with nothing to do but wait out another long, Duccio-less day, he touched her ankle with his nose and laid his chin atop her knee, staring into her eyes in that slightly-pathetic, entreating way he had. “I could go back to the witch,” he said carefully, “and see if she couldn’t give you something to make your face back into a human’s?” He paused. “Although I at least think you look prettier this way. Human faces aren’t nearly as beautiful as dog faces are.

She hugged him. “You don’t have to, Paolo,” she whined, burying her face in his fur. “I know she wasn’t very gentle with you, either.”

He dragged his sandpaper tongue over her shoulder in a slobbery kiss. “But I would. For you.”

It was her turn to pause, and while he did so he began washing her hands. She watched him for a long moment, considering his offer. Then: “She cut off part of my finger, once, when I was little, because I didn’t want her to take me away from my mother. I’d hate to think what she would do to you, if you went back.”

“I’m not afraid of what she might do to me,” he growled. “I only want you to be happy. It pains me to see you unhappy.”

The whine left her throat before she could stop it. She loved him so very much, but—she smoothed the short furs of his coat—she didn’t want him to get hurt by the witch. While the witch loved them both in theory, in practice she was given to volatile moods and cutting off the small fingers of forgetful children. Not to mention turning the face of the girl who had been like a daughter to her into a dog’s.

But he wanted her to be happy.

“All right,” she said to him. “But be careful.”

When he left that night, she stood at the door and stared out into the darkness after him. She could see much better in the low-light with a dog’s eyes than she could with a human’s, and she watched his white pelt bob in the distance until it faded out of sight.



Then she went back inside, heart heavy, to wait for both of the loves of her life to come back.



***

Source: Italian Popular Tales by Thomas Frederick Crane (1885). Untextbook.

Thursday, April 28, 2016

Week 14 Reading Diary: Italian Folk Tales

(Medieval banquet, via Wikimedia Commons)
I really liked all the stories this week! I'm running kind of low on time, so this will have to be a quicker Reading Diary than most: here are two stories that I really enjoyed from this section, that intrigued me enough to be potential Storytelling material:

The Fair Angiola: so, Rapunzel is one of my favorite fairy tales and this is a very interesting variant of that tale--from the sentient housecleaning products in the witch's tower, to the fact that the witch bites off a part of Angiola's finger when Angiola keeps forgetting to tell her mother to make good on her deal with the witch, to the fact that the witch then turns Angiola's face into a dog's, everything is so interesting. But anyway, what I was thinking was to either write the story from Angiola's perspective the day that the prince arrives to climb up her hair and convinces her to run, beginning when she first sees him and ending with them both leaving would be a cool way to do this (also bringing this scene into the present day would also be very cool. Or maybe telling the story from the perspective of the household objects? Or maybe the balls of yarn? Or maybe telling the story from Angiola's perspective when she has the face of a dog? That must have been very, very weird...

Water and Salt: this is a crazy fairy tale. Every character in it is crazy. From the king that orders his daughter executed on a whim because she says that she only loves him as much as water and salt (although I've made this misstep with other people: if you're logical and not flowery-sounding about how much you love them sometimes they get very offended. Although I've never actually had one sentence me to execution), to the magician that the daughter (apparently?) falls in love with (or did I read the story wrong? I'll have to go back and check when I have more time) but then orders her to kill him for no reason the day before her father comes (is it his magical sacrifice that saves the kingdom? The story says that they quartered him and put his quarters in separate rooms. It also says that his quarters turned into precious stones and metals, which while great is not actually very helpful when we're trying to decide how he died after all). Anyway, I was thinking that it would actually be cool to tell this one from the king's perspective that had his daughter executed, during the final banquet....

Source: Italian Popular Tales by Thomas Frederick Crane (1885). Untextbook.